We have new music, which was just unveiled last night at our show with Wendy Rule at Serpent’s Kiss in Santa Cruz. Just in time for our cross-country tour. Yay!! This is a collection of traditionals and new originals that have yet to find their way onto a “formal” album. It also introduces our self-proclaimed musical genre, Neofolk Romantique. After years of listening to the staunch Celtic traditionalists proclaim that my music is “Not Celtic” I have decided to create my own genre. Neofolk Romantique is what I like to think of as an innovative and fresh interpretation of folk music; it contains a goodly dose of stark melancholy and reverence for ancestral tradition that one thinks of when one hears the term Neofolk, but also has a romantic and fanciful spin. Romantique, in fact, for our love of antiquity and old world charm. Rather more flattering than “Not Celtic”, wouldn’t you say?
Neofolk Romantique gives me far more flexibility to reflect my own world without getting bogged down in annoying trivialities such as facts. Facts have very little place in art, as far as I am concerned. Give me Steampunk over Reconstructionism any day.
So – reinventions having been thus proclaimed, let me tell you about this album.
It is indeed romantic and fanciful. All acoustic and very sparsely instrumented. A highlight for me is a song I wrote for a storm, who’s beauty swept me away completely. It’s called Mistress of Maclyr, and the vocal performance is one of the most emotional I have ever given. It isn’t technically perfect, but that is part of the charm of this album, and left this way intentionally. Enchanting performances by Winter and Tim Rayborn are also featured.
It also includes Saucy Sailor, a feisty English traditional about a carefree sailor lad. I have always loved the spirit of this song. Then there is an A Capella poem by William Butler Yeats, and a fun little tune I wrote called The Captain’s Flask. And of course we had to include Henry Martin, one of our best loved songs when we play live. We also recorded an acoustic version of Pandemonaeon’s Queen of Shadows which came out surprisingly well. The album contains 10 songs in all.
We consider this a pre-release, which means this:
These particular versions of the songs will only be available for a limited time.
Some of these songs – particularly the traditionals – will only be released on this album and not on the formal release. Therefore they will only be available for the duration that this pre-release is available.
These songs represent a sparse, paired down interpretation of our music that is much more akin to our live shows than our full-production albums. They contain the flaws, vulnerabilities, and intimacy of a live show and as such give a different feeling than our lushly crafted studio albums.
You can listen to the album in it’s entirety – and if you like, purchase it – on our bandcamp page. Folks who purchase this album will get $5 off our formal studio release, due out within the year, simply by mentioning they bought the Neofolk Romantique pre-release. We beleive in the honor system because we believe you are honorable.